The perfect antidote for anyone who doomscrolls daily headlines: more crazed, rollicking, sharply written sendups like this.
Florida’s preeminent satirist returns to the fray with a worm’s-eye view of MAGA World.
In his time off from packaging Dream Booty sex dolls for Bottom Drawer Novelties, Dale Figgo does his patriotic best to save the nation by hurling plastic bags weighted with sand and filled with antisemitic epithets onto the lawns of gated communities. The disapproving tenant in his extra bedroom, Viva Morales, works as "wealth director" for the Mink Foundation, a nothingburger position that would bother her a lot more if she knew the fate of Rachel Cohen, the predecessor who uncovered some secret details that cofounders Claude and Electra Mink wanted to keep secret. Congressional Representative Clure Boyette, in the middle of what should be an easy reelection campaign and a much tougher divorce from his wife, Nicki, who’s collected abundant evidence of his infidelities, wants the Minks to fund Wee Hammers, which is just like Habitat for Humanity except that the habitats are built by child labor. Figgo and his best friend, white supremacist Jonas Onus, have a serious falling out over the demand by Clure’s father, kingmaker Clay Boyette, that Figgo accept Onus as an equal partner in Strokers for Liberty, the organization of lunatic activists he’s founded, and a calamitous demonstration at a gay bar in Key West. It all sounds so busy, dizzy, and fizzy that it makes perfect sense when Janice Eileen Smith, who in her role as Galaxy is Clure’s mistress in every sense of the word, breaks away from him, bonds with Viva, and starts her own counterplot, just like every other member of the cast.
The perfect antidote for anyone who doomscrolls daily headlines: more crazed, rollicking, sharply written sendups like this.Pub Date: May 13, 2025
ISBN: 9780593320945
Page Count: 384
Publisher: Knopf
Review Posted Online: May 12, 2025
Kirkus Reviews Issue: June 15, 2025
A rather flat entry in a generally excellent series.
The 25th novel featuring Silva’s legendary protagonist.
During his intersecting careers as art restorer and Israeli spy, Gabriel Allon has tangled with Russian gangsters and al-Qaida terrorists. He has become well-acquainted with operatives in multiple security agencies and befriended a paid assassin. He has busted art thieves and created passable forgeries by Renaissance masters and abstract Modernists. This latest installment centers around his relationship with the pope and a newly discovered painting by Leonardo da Vinci that has gone missing from the Vatican. Silva’s novels tend to fall into two categories: books that reflect the politics of the day and books that don’t. His latest is one of the latter, which could be a treat for readers looking for escape, but it falls flat for a variety of reasons. Luxury has always been part of Gabriel Allon’s universe. It used to be an aspect of tradecraft, though. Allon would be wearing a very expensive suit and driving a very expensive car because he was posing as a client at a Swiss bank. Here, his wife is hosting a catered lunch for 150 of their daughter’s classmates in their apartment overlooking the Grand Canal in Venice. What once felt like a scintillating peek into the world of the obscenely wealthy now just feels…kind of obscene. Similarly, Allon goes chasing after a missing painting as a civilian—he retired from Mossad in Portrait of an Unknown Woman (2022)—the same way another man his age might buy a speedboat or get hair plugs. As the story progresses, the stakes are raised, but it’s hard to forget that Allon is now a middle-aged man pursuing a dangerous hobby, rather than a spymaster leading his intrepid team to prevent a disaster that will disrupt the global order.
A rather flat entry in a generally excellent series.Pub Date: July 15, 2025
ISBN: 9780063384217
Page Count: 416
Publisher: Harper/HarperCollins
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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