A well-researched, impassioned case for Gnosticism.
A 21st-century Gnostic explores the seminal text of her faith in this nonfiction work.
“Valentinian Gnosticism is a form of proto-Christianity,” writes Ropp in the book’s introduction, asserting her belief that “it is the true, original form of Christianity.” Focusing on the third- or fourth-century Gnostic work the Tripartite Tractate of the Nag Hammadi codices, the author explores an alternative branch of Christianity that was deemed heretical and “wiped out” by Catholicism. In contrast to Roman Catholicism, per Ropp, Gnosticism “encourages a personal relationship with the “God Above All Gods,” eschews hierarchical leadership and rituals, and holds that no church or earthly institution “can give you gnosis” (mystical knowledge). Aiming to “demystify” the “arcane language” of the Tripartite Tractate, as well as to connect the work to the more well-known themes articulated in the Christian New Testament, Ropp systematically walks readers through the major ideas posited in the Gnostic text. Unlike other biblical books, according to the author, the Tripartite Tractate is closer to a philosophical rumination than a collection of myths, as it establishes a thesis about a divine Father before working through the logical implications of that proposition. Ropp’s analytical approach informs her emphasis on applying Gnosticism to modern life, as the author deeply believes that “Gnostic faith is not blind faith but reasonable faith.” Holding a doctorate in classical rhetoric, Ropp is the host of the Gnostic Insights podcast and author of The Gnostic Gospel Illuminated (2019). Here, she offers readers a scholarly exploration of the Tripartite Tractate that challenges popular assumptions, such as the claim by many that Gnosticism is a New Age religion. Her academic approach, backed by scholarly references, is balanced by an engaging writing style geared toward readers unfamiliar with the esoteric nuances of Gnosticism. The work’s accessibility is further supported by a lengthy glossary of terminology as well as the inclusion of full-color images, diagrams, and other visual aids. Even readers unconvinced about the veracity of Gnosticism will find a stimulating reflection on the nature of meaning, knowledge, and truth.
A well-researched, impassioned case for Gnosticism.Pub Date: Aug. 28, 2024
ISBN: 9798218985042
Page Count: 312
Publisher: N/A
Review Posted Online: April 29, 2025
Kirkus Reviews Issue: June 15, 2025
Review Program: Kirkus Indie
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
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