A well-crafted visual depiction of the troubling contents of the Mueller Report.
The Mueller Report gets the comic-book treatment in this graphic novel.
The much-anticipated Mueller Report—officially titled Report on the Investigation Into Russian Interference in the 2016 Presidential Election and named for Robert Mueller, the special counsel who conducted the probe—was finally released to the public on April 18, 2019. For those whose eyelids get heavy at the very idea of the two-volume, 448-page redacted report, Slate (You Can Do a Graphic Novel, 2018, etc.) offers this condensed, visually stimulating version: a graphic novel of excerpts accompanied by illustrations of the relevant events. Readers can learn all about Russian spies’ posing as Donald Trump supporters on Facebook; the infamous meeting between the Trump campaign and Russian agents in Trump Tower; Trump’s asking for United States Attorney General Jeff Sessions’ resignation; and Trump’s many colorful tweets. Along the way, the author delivers cartoonish depictions of the major players, often placing their own words—as recorded in the report—into speech bubbles. Even with Slate’s attempts to streamline the report, the book makes for some technical reading. “The Internet Research Agency (IRA) carried out the earliest Russian interference operations—a social media campaign designed to provoke and amplify political and social discord in the United States,” reads the first sentence, accompanied by smirking portraits of Vladimir Putin and Russian businessman Yevgeniy Prigozhin. The author’s drawings are simple and quite endearing—if not always flattering to those they portray—and she organizes the narrative in a way that is easy to follow. It’s unclear who would be interested in reading Mueller’s findings at this time given that new Trump scandals have already displaced these older ones in the public’s mind. Still, for those who have not perused the work and need to get the highlights, Slate’s version goes down far easier than the original report. One could imagine it proving a useful tool in the future for readers who wish to understand the particulars of the Russia investigation when it is no longer general knowledge. But for those who just lived through it, the volume is less entertaining than it is distressing, disturbing, and occasionally infuriating.
A well-crafted visual depiction of the troubling contents of the Mueller Report.Pub Date: Nov. 8, 2019
ISBN: 978-0-937258-11-8
Page Count: 108
Publisher: Richard Minsky
Review Posted Online: Jan. 13, 2020
Kirkus Reviews Issue: March 1, 2020
Review Program: Kirkus Indie
PERSPECTIVES
PERSPECTIVES
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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