A heartbreaking crescendo and another grimly irresistible chapter in the saga of this interlocking series.
The Hunger Games twist, destroy, and galvanize another wave of young people in this entry set 24 years before the series opener.
Haymitch Abernathy is turning 16, and he’d love nothing more than to spend his birthday with his girlfriend, Lenore Dove. Unfortunately, it’s also the reaping day of the Fiftieth Hunger Games and the second Quarter Quell, meaning twice as many tributes will be chosen from each District for the lethal contest. Being torn from everything familiar all at once is only the beginning of Haymitch’s tortures: Death and manipulation follow him every step of the way into the Capitol’s media circus and through the famed games. Slivers of hope exist—alliances among players, whispers of sabotage—though violence, misery, and encounters with mutated creatures frequently comprise the spoils. This book contains enough lore to stand alone, but returning fans will weave the thoughtfully placed callbacks and returning characters into their understanding of this world’s tragic chain of events. By this point, the game masters and audience within Panem have developed a sophisticated understanding of the Hunger Games, and Collins combines many of the best qualities of the series into one book, balancing layers of personal insights, worldbuilding, and danger to form an inescapable whirlwind of suspense and conflict. She makes frequent use of music and poetry, underscoring the enduring power of generational messages. Characters largely present white.
A heartbreaking crescendo and another grimly irresistible chapter in the saga of this interlocking series. (Dystopian. 13-adult)Pub Date: March 18, 2025
ISBN: 9781546171461
Page Count: 400
Publisher: Scholastic
Review Posted Online: March 25, 2025
Kirkus Reviews Issue: May 1, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
SEEN & HEARD
Riveting, brutal and beautifully told.
A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.
Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.
Riveting, brutal and beautifully told. (Fiction. 14 & up)Pub Date: May 13, 2014
ISBN: 978-0-385-74126-2
Page Count: 240
Publisher: Delacorte
Review Posted Online: March 16, 2014
Kirkus Reviews Issue: April 1, 2014
PROFILES
BOOK TO SCREEN
BOOK TO SCREEN
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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