An absorbing panorama of small-town life and a study of democracy in miniature, with both the people and their polity facing...
The residents of a small town in the Berkshires have their world overturned by a billionaire in their midst.
This is a novel with political motives, so much so that it recalls The Fountainhead, except Dee (A Thousand Pardons, 2013, etc.) is a better writer than Ayn Rand by several orders of magnitude, and his point seems to be virtually the opposite of hers. The drama begins on Sept. 11, 2001, when Mark Firth, visiting New York from Howland, Massachusetts, unhappily learns that his meeting with a lawyer has been cancelled. This attorney is representing the plaintiffs in a class-action suit against a con-artist financial adviser who stole their money—in Firth's case, his entire savings. He’s not the only Howland resident who will be struggling in the coming months. Though relief over his safe return smooths things over for a while, Mark’s wife is far from happy in either her marriage or her job, working as a teacher’s aide at a private school so her daughter can get reduced tuition. His brother, Gerry, is fired from Century 21 for an indiscretion; their sister, Candace, is furious at both of them for not helping out with their decrepit parents, and her day job is not on solid ground either. The town is feeling the pinch as well, but the last thing strapped residents want is another tax hike. When their First Selectman unexpectedly dies, Philip Hadi steps into the breach. The Hadis used to be summer people, but in the wake of 9/11 they moved to the country full time, first installing a set of security cameras. Hadi’s solution to Howland’s troubles begins with cutting government to the bare essentials; according to him, past tax increases were only necessary to feed the bureaucracy itself. If there's a real need for something they can’t afford—why, he’ll just pay for it. What happens to the citizens of Howland after that plays both as political allegory and kaleidoscopic character study.
An absorbing panorama of small-town life and a study of democracy in miniature, with both the people and their polity facing real and particular contemporary pressures.Pub Date: Aug. 8, 2017
ISBN: 978-0-8129-9322-6
Page Count: 400
Publisher: Random House
Review Posted Online: May 14, 2017
Kirkus Reviews Issue: June 1, 2017
PROFILES
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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