Excellent writing and a clever plot make this one stand out.
Irish author Banville brings back characters he originally wrote about under the name Benjamin Black.
Banville’s latest 1950s-set crime novel opens with Denton Wymes, a recluse who lives in a caravan in rural Ireland with his dog, stumbling upon an unusual sight: a Mercedes SL idling in a field, its headlamps on and no driver in sight. A man named Armitage accosts Wymes, saying that his wife, who had been driving the car, has gone missing and may have “drowned herself.” Wymes is suspicious of Armitage, whose affect seems off: “It seemed a piece of bad acting, but then, Wymes told himself, that’s mostly how people behave when there’s a crisis and they’re distraught.” DI St John Strafford arrives from Dublin to investigate, quickly sussing out that nothing about the case will be straightforward—Armitage is slippery and unpredictable, Wymes is a convicted child molester, and something seems amiss about the couple whose rental house Armitage and Wymes went to for help. Meanwhile, Strafford has his own problems: His separated wife wants a divorce, and his lover—who happens to be the daughter of his pathologist colleague, Quirke—is pregnant. And when two bodies are discovered, he is faced with an increasing sense of urgency. Strafford and Quirke return as characters from Banville’s previous crime novels, and Armitage played a large role in his most recent book, The Lock-Up (2023). These are compelling people: Strafford with his emotional unavailability (“The fact was, he did not understand himself, or Phoebe, or anyone. The vagaries of the human heart baffled him”) and Quirke with his brooding depression (“He stayed away from people as much as possible. This was a loneliness company couldn’t cure”). As for the mystery at the heart of the book: Banville remains a master of suspense; it’s not easy to stop turning the pages until the novel’s genuinely surprising end. This is yet another fine thriller from an author at the top of his game.
Excellent writing and a clever plot make this one stand out.Pub Date: Oct. 1, 2024
ISBN: 9781335000590
Page Count: 336
Publisher: Hanover Square Press
Review Posted Online: Aug. 30, 2024
Kirkus Reviews Issue: Oct. 1, 2024
A rather flat entry in a generally excellent series.
The 25th novel featuring Silva’s legendary protagonist.
During his intersecting careers as art restorer and Israeli spy, Gabriel Allon has tangled with Russian gangsters and al-Qaida terrorists. He has become well-acquainted with operatives in multiple security agencies and befriended a paid assassin. He has busted art thieves and created passable forgeries by Renaissance masters and abstract Modernists. This latest installment centers around his relationship with the pope and a newly discovered painting by Leonardo da Vinci that has gone missing from the Vatican. Silva’s novels tend to fall into two categories: books that reflect the politics of the day and books that don’t. His latest is one of the latter, which could be a treat for readers looking for escape, but it falls flat for a variety of reasons. Luxury has always been part of Gabriel Allon’s universe. It used to be an aspect of tradecraft, though. Allon would be wearing a very expensive suit and driving a very expensive car because he was posing as a client at a Swiss bank. Here, his wife is hosting a catered lunch for 150 of their daughter’s classmates in their apartment overlooking the Grand Canal in Venice. What once felt like a scintillating peek into the world of the obscenely wealthy now just feels…kind of obscene. Similarly, Allon goes chasing after a missing painting as a civilian—he retired from Mossad in Portrait of an Unknown Woman (2022)—the same way another man his age might buy a speedboat or get hair plugs. As the story progresses, the stakes are raised, but it’s hard to forget that Allon is now a middle-aged man pursuing a dangerous hobby, rather than a spymaster leading his intrepid team to prevent a disaster that will disrupt the global order.
A rather flat entry in a generally excellent series.Pub Date: July 15, 2025
ISBN: 9780063384217
Page Count: 416
Publisher: Harper/HarperCollins
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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