A dazzlingly original testament to companionship, curiosity, and faith in ourselves in times of fear and loneliness.
Three gripping narratives entwine as supernatural encounters and personal revelations transform lives in the 1960s and the present.
This transporting novel brings multiple times and places to life through the storytelling of a researcher called the Archivist, whose nongendered pronouns are deployed gracefully. They’re consumed by two troves of records, both beginning in 1961 but radically different in detail and tone. In one, Barney and Betty Hill, rational civil servants in an interracial marriage, are astonished to see a spaceship as they’re driving down a dark highway. The sighting—and the encounter that follows—alters the course of their lives as they become ambivalent public figures amid a rising din of UFO spotters and disbelievers. (The Archivist knows something about alien visitors, too, but is even more reluctant to claim the association.) Through the second set of historical files, the Archivist tracks the life of Phyllis Egerton, a young writer driven from home when her parents discover her romance with her best friend, Rosa. Her new life in Boston is thrilling—Masad paints an electric picture of Phyllis’ double life as a newspaper copy editor and a lesbian finding her people, sartorial style, and science-fiction writing voice—but necessarily clandestine, since this is the very real world of the ‘60s: Public homosexuality is a criminal act. We get Phyllis’ story firsthand through her yearning, then defiant, letters to Rosa. In contrast, the Archivist takes more liberties with Barney and Betty Hill’s story, since their records are less personal. Without apology, the historian fills in the gaps for the reader, telling us both the facts and their elisions or outright inventions. It’s an education—they know the histories of civil and gay rights, and from experience, they “have always felt drawn to those who are ridiculed, misunderstood, shamed.” Miraculously, Masad makes this dense braid of stories easy to follow, elegantly blending serpentine sentences, endearing and intimately observed characters, natural dialogue, and playful, generous asides to keep the reader in enthralled suspense.
A dazzlingly original testament to companionship, curiosity, and faith in ourselves in times of fear and loneliness.Pub Date: Sept. 23, 2025
ISBN: 9781639737000
Page Count: 304
Publisher: Bloomsbury
Review Posted Online: June 5, 2025
Kirkus Reviews Issue: July 15, 2025
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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